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So, there are two discs worth of material for this one, plus a "bonus" disc of demos (of differing quality) that were mixed differently than the other tracks so they didn't sound right being on the album proper. To me, that's how it's meant to be, that's how I remember it. So, it is still an album that I listen to when I'm alone, or want some solace or during quiet times around our house. At this time in my life, my love for this brand of Pop music was a secret hidden love (as my skater punk friends of the time wouldn't have approved) so I listened to this one mostly in my room, doing homework or reading comic books. Along with the obvious singles, which were all some of his best, we also have Venus De Milo and Sometimes It Snows In April and Anotherloverholeinyohead and the list goes on. Well, yes, the movie sucked IMO, but the music was some of his best. Probably because you had to contend with the bootleg Black Album as well as all of the material for Sign O the Times (which is almost as bad.) That being said, does the Black Album belong on it's own, or should the material be absorbed into the releases around it? I still haven't figured that one out, yet.Īfter my love of Around the World In A Day, I had to get this album, and also see the accompanying film Under the Cherry Moon. Of all of his releases, this one is probably the toughest. It wasn't so much of finding the music as it was identifying the proper era/session that it belonged to. As most of you know, Prince's work during the 80s was voluminous, and a lot of it was unreleased, or released on different collections throughout the decades. Have to admit, although this was really fun compiling, it was also extremely difficult.
